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<channel>
 <title>Humanities Day 2019 - Session 3</title>
 <link>https://humanitiesday2019.uchicago.edu/sessions/3</link>
 <description>3:30–4:30 P.M.
</description>
 <language>en</language>
<item>
 <title>William Nickell</title>
 <link>https://humanitiesday2019.uchicago.edu/bios/william-nickell</link>
 <description>&lt;div class=&quot;field field-name-field-bio-photo field-type-image field-label-hidden&quot;&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;img typeof=&quot;foaf:Image&quot; src=&quot;https://humanitiesday2019.uchicago.edu/sites/humanitiesday2019.uchicago.edu/files/styles/medium/public/BillNickell.jpg?itok=1qE8EziK&quot; width=&quot;147&quot; height=&quot;220&quot; alt=&quot;William Nickell&quot; title=&quot;William Nickell&quot; /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-titlereference field-type-node-reference field-label-above&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Presentation:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;/presentations/fall-communism-30-years&quot;&gt;The Fall of Communism, 30 Years On&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-session field-type-taxonomy-term-reference field-label-above&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Session:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;/sessions/3&quot; typeof=&quot;skos:Concept&quot; property=&quot;rdfs:label skos:prefLabel&quot; datatype=&quot;&quot;&gt;Session 3&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-discipline field-type-text field-label-hidden&quot;&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;Slavic Languages and Literatures&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-body field-type-text-with-summary field-label-hidden&quot;&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot; property=&quot;content:encoded&quot;&gt;&lt;p&gt;William Nickell is a cultural historian focused on the study of Russia from the 1840s to the 1940s. His award-winning book, &lt;em&gt;The Death of Tolstoy: Russia on the Eve, Astapovo Station, 1910&lt;/em&gt;, examines the events around Tolstoy’s death, which became Russia’s first media spectacle, as a means of measuring Russian values and politics between the revolutions of 1905 and 1917. His current course on “Media and Power in the Age of Putin and Trump” brings many of these same concerns to the present. Nickell is Associate Professor and Chair of the Department of Slavic Languages and Literatures.&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</description>
 <pubDate>Thu, 19 Sep 2019 19:14:26 +0000</pubDate>
 <dc:creator>sspatterson</dc:creator>
 <guid isPermaLink="false">1036 at https://humanitiesday2019.uchicago.edu</guid>
 <comments>https://humanitiesday2019.uchicago.edu/bios/william-nickell#comments</comments>
</item>
<item>
 <title>Present Tense: An Iconology of Time</title>
 <link>https://humanitiesday2019.uchicago.edu/presentations/present-tense-iconology-time</link>
 <description>&lt;div class=&quot;field field-name-field-presenter field-type-node-reference field-label-above&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Presenter:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;/bios/w-j-t-mitchell&quot;&gt;W. J. T. Mitchell&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-session field-type-taxonomy-term-reference field-label-hidden&quot;&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;/sessions/3&quot; typeof=&quot;skos:Concept&quot; property=&quot;rdfs:label skos:prefLabel&quot; datatype=&quot;&quot;&gt;Session 3&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field-name-field-room hidden&quot;&gt;&lt;div class=&quot;field-label views-label&quot;&gt;Location&lt;/div&gt;&lt;div class=&quot;field-item&quot;&gt;Logan Center Penthouse&lt;br/&gt;&lt;a href=&quot;https://maps.uchicago.edu/location/reva-and-david-logan-center-for-the-arts/&quot;&gt;Map it&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-body field-type-text-with-summary field-label-hidden&quot;&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot; property=&quot;content:encoded&quot;&gt;&lt;p&gt;The question, “What is time?” always turns out to be unanswerable. A better question might be: “How do we picture time?” This presentation examines the ancient figures of Kronos (clock time), Aion (cyclical time), and Kairos (the moment), applying them to the present, specifically to the notion of an epoch or turning point in history. What is the affective temporality of our moment? Or, more plainly, why is the epoch of Donald Trump so often described in the language of mental disorders? This presentation is an illustrated lecture, including classical images of time and contemporary images from mass media.&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</description>
 <pubDate>Mon, 29 Jul 2019 18:29:12 +0000</pubDate>
 <dc:creator>sspatterson</dc:creator>
 <guid isPermaLink="false">1003 at https://humanitiesday2019.uchicago.edu</guid>
 <comments>https://humanitiesday2019.uchicago.edu/presentations/present-tense-iconology-time#comments</comments>
</item>
<item>
 <title>Wine and the Origins of Drunkenness</title>
 <link>https://humanitiesday2019.uchicago.edu/presentations/wine-and-origins-drunkenness</link>
 <description>&lt;div class=&quot;field field-name-field-presenter field-type-node-reference field-label-above&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Presenter:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;/bios/petra-goedegebuure&quot;&gt;Petra Goedegebuure&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-session field-type-taxonomy-term-reference field-label-hidden&quot;&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;/sessions/3&quot; typeof=&quot;skos:Concept&quot; property=&quot;rdfs:label skos:prefLabel&quot; datatype=&quot;&quot;&gt;Session 3&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field-name-field-room hidden&quot;&gt;&lt;div class=&quot;field-label views-label&quot;&gt;Location&lt;/div&gt;&lt;div class=&quot;field-item&quot;&gt;Stuart Hall, Room 101&lt;br/&gt;&lt;a href=&quot;https://maps.uchicago.edu/location/stuart-hall/&quot;&gt;Map it&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-body field-type-text-with-summary field-label-hidden&quot;&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot; property=&quot;content:encoded&quot;&gt;&lt;p&gt;The ancient Middle East was the home of many kingdoms and cultures. While these kingdoms differed in language, literature, clothing, and buildings, they all were steeped in wine and beer. This session starts with the paleolithic origins of drunkenness, moves on to the controlled production of fermented beverages in 6th millennium BC Georgia, explores the spread of wine and words for wine through the Middle East, and ends in 1st millennium BC Anatolia with the archaeological discovery of mixed beer-wine.&lt;/p&gt;&lt;p&gt;**This presentation is almost full.**&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</description>
 <pubDate>Tue, 23 Jul 2019 20:37:28 +0000</pubDate>
 <dc:creator>sspatterson</dc:creator>
 <guid isPermaLink="false">985 at https://humanitiesday2019.uchicago.edu</guid>
 <comments>https://humanitiesday2019.uchicago.edu/presentations/wine-and-origins-drunkenness#comments</comments>
</item>
<item>
 <title>Writer and Citizen</title>
 <link>https://humanitiesday2019.uchicago.edu/presentations/writer-and-citizen</link>
 <description>&lt;div class=&quot;field field-name-field-presenter field-type-node-reference field-label-above&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Presenter:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;/bios/jennifer-scappettone&quot;&gt;Jennifer Scappettone&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;field-item odd&quot;&gt;&lt;a href=&quot;/bios/lina-ferreira&quot;&gt;Lina Ferreira&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;/bios/edgar-garcia&quot;&gt;Edgar Garcia&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;field-item odd&quot;&gt;&lt;a href=&quot;/bios/stephanie-soileau&quot;&gt;Stephanie Soileau&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-session field-type-taxonomy-term-reference field-label-hidden&quot;&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;/sessions/3&quot; typeof=&quot;skos:Concept&quot; property=&quot;rdfs:label skos:prefLabel&quot; datatype=&quot;&quot;&gt;Session 3&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field-name-field-room hidden&quot;&gt;&lt;div class=&quot;field-label views-label&quot;&gt;Location&lt;/div&gt;&lt;div class=&quot;field-item&quot;&gt;Smart Museum of Art&lt;br/&gt;&lt;a href=&quot;https://maps.uchicago.edu/location/smart-museum-of-art/&quot;&gt;Map it&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-body field-type-text-with-summary field-label-hidden&quot;&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot; property=&quot;content:encoded&quot;&gt;&lt;p&gt;In times of political contestation teeming with misinformation and fraught with charges of fake news, when the very notion of truth seems to be up for grabs, it is compelling to seek out writers whose work addresses politics, yet exceeds the constraints of journalism and the halls of public policymaking. It’s a good time to revisit and test Percy Bysshe Shelley’s 1821 claim that “poets are the unacknowledged legislators of the world.” This discussion about the social reach of writing in such arenas as environmental catastrophe and indigenous representation ponders the responsibility of the writer to act as citizen, extending the domain of citizenship beyond conventional legal and political realms, and to test the limits of citizenship as discourse, as its protections are being denied to increasing numbers of persons.&lt;/p&gt;&lt;p&gt;**This presentation is full.**&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</description>
 <pubDate>Fri, 19 Jul 2019 13:18:41 +0000</pubDate>
 <dc:creator>sspatterson</dc:creator>
 <guid isPermaLink="false">984 at https://humanitiesday2019.uchicago.edu</guid>
 <comments>https://humanitiesday2019.uchicago.edu/presentations/writer-and-citizen#comments</comments>
</item>
<item>
 <title>Understanding Medicine in Medieval England</title>
 <link>https://humanitiesday2019.uchicago.edu/presentations/understanding-medicine-medieval-england</link>
 <description>&lt;div class=&quot;field field-name-field-presenter field-type-node-reference field-label-above&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Presenter:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;/bios/julie-orlemanski&quot;&gt;Julie Orlemanski&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-session field-type-taxonomy-term-reference field-label-hidden&quot;&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;/sessions/3&quot; typeof=&quot;skos:Concept&quot; property=&quot;rdfs:label skos:prefLabel&quot; datatype=&quot;&quot;&gt;Session 3&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field-name-field-room hidden&quot;&gt;&lt;div class=&quot;field-label views-label&quot;&gt;Location&lt;/div&gt;&lt;div class=&quot;field-item&quot;&gt;Stuart Hall, Room 104&lt;br/&gt;&lt;a href=&quot;https://maps.uchicago.edu/location/stuart-hall/&quot;&gt;Map it&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-body field-type-text-with-summary field-label-hidden&quot;&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot; property=&quot;content:encoded&quot;&gt;&lt;p&gt;In the period just prior to medicine’s modernity—before the rise of Renaissance anatomy, the centralized regulation of medical practice, or the consolidation of scientific empiricism—England was the scene of a remarkable upsurge in medical writing. Thousands of medical texts were produced, perhaps surprisingly, for readers outside of universities. What was medical learning like for this readership? How did they negotiate the conflicting claims of material causation, divine power, and their own agency and control? This presenter explores the tensions between medieval medicine and understandings of selfhood in the century after the Black Death.&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt;**This presentation is full.**&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</description>
 <pubDate>Fri, 19 Jul 2019 13:16:53 +0000</pubDate>
 <dc:creator>sspatterson</dc:creator>
 <guid isPermaLink="false">983 at https://humanitiesday2019.uchicago.edu</guid>
 <comments>https://humanitiesday2019.uchicago.edu/presentations/understanding-medicine-medieval-england#comments</comments>
</item>
<item>
 <title>The Roving Eye of Early Modern Travelers</title>
 <link>https://humanitiesday2019.uchicago.edu/presentations/roving-eye-early-modern-travelers</link>
 <description>&lt;div class=&quot;field field-name-field-presenter field-type-node-reference field-label-above&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Presenter:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;/bios/niall-atkinson&quot;&gt;Niall Atkinson&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-session field-type-taxonomy-term-reference field-label-hidden&quot;&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;/sessions/3&quot; typeof=&quot;skos:Concept&quot; property=&quot;rdfs:label skos:prefLabel&quot; datatype=&quot;&quot;&gt;Session 3&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field-name-field-room hidden&quot;&gt;&lt;div class=&quot;field-label views-label&quot;&gt;Location&lt;/div&gt;&lt;div class=&quot;field-item&quot;&gt;Harper Memorial Library, Room 140&lt;br/&gt;&lt;a href=&quot;https://maps.uchicago.edu/location/harper-memorial-library/&quot;&gt;Map it&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-body field-type-text-with-summary field-label-hidden&quot;&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot; property=&quot;content:encoded&quot;&gt;&lt;p&gt;As complex systems with multiple institutional, civic, and religious topographies, early modern cities presented the foreigner with a beguiling series of mysteries. What tools, therefore, were available for gaining some kind of understanding of a foreign society that would allow travelers to connect their experience to home? This session explores the ways in which Italian travelers in the Renaissance built mental maps of cities by moving around and through them, using architectural description as a mode of penetrating the barriers that separated cultures. Such descriptions, based on habits of mobile viewing necessary for comprehending the dynamic nature of urban environments, deployed a common cross-cultural vocabulary (counting and measuring walls and streets) through which understanding the design of cities could lead to insights into the social identities of their inhabitants.&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</description>
 <pubDate>Fri, 19 Jul 2019 13:12:10 +0000</pubDate>
 <dc:creator>sspatterson</dc:creator>
 <guid isPermaLink="false">981 at https://humanitiesday2019.uchicago.edu</guid>
 <comments>https://humanitiesday2019.uchicago.edu/presentations/roving-eye-early-modern-travelers#comments</comments>
</item>
<item>
 <title>Art in the 21st Century</title>
 <link>https://humanitiesday2019.uchicago.edu/presentations/art-21st-century</link>
 <description>&lt;div class=&quot;field field-name-field-presenter field-type-node-reference field-label-above&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Presenter:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;/bios/matthew-jesse-jackson&quot;&gt;Matthew Jesse Jackson&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-session field-type-taxonomy-term-reference field-label-hidden&quot;&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;/sessions/3&quot; typeof=&quot;skos:Concept&quot; property=&quot;rdfs:label skos:prefLabel&quot; datatype=&quot;&quot;&gt;Session 3&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field-name-field-room hidden&quot;&gt;&lt;div class=&quot;field-label views-label&quot;&gt;Location&lt;/div&gt;&lt;div class=&quot;field-item&quot;&gt;Oriental Institute Museum, Breasted Hall&lt;br/&gt;&lt;a href=&quot;https://maps.uchicago.edu/location/oriental-institute/&quot;&gt;Map it&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-body field-type-text-with-summary field-label-hidden&quot;&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot; property=&quot;content:encoded&quot;&gt;&lt;p&gt;It could be argued that the most compelling visual art is no longer defined primarily by particular media (painting, sculpture, photography, video), or by particular subject matter (portraiture, landscape, still life, devotional image), or by particular strategies of representation (Cubism, Surrealism, Pop Art, Appropriation). Instead, it might be most accurate to say that the crucial art of the 21st century imagines everything to be its medium, subject matter, and means of realization. We consider what this development means for artists and art viewers.&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</description>
 <pubDate>Thu, 18 Jul 2019 21:52:31 +0000</pubDate>
 <dc:creator>sspatterson</dc:creator>
 <guid isPermaLink="false">980 at https://humanitiesday2019.uchicago.edu</guid>
 <comments>https://humanitiesday2019.uchicago.edu/presentations/art-21st-century#comments</comments>
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 <title>Modern Arab Women Writers</title>
 <link>https://humanitiesday2019.uchicago.edu/presentations/modern-arab-women-writers</link>
 <description>&lt;div class=&quot;field field-name-field-presenter field-type-node-reference field-label-above&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Presenter:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;/bios/kay-heikkinen&quot;&gt;Kay Heikkinen&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-session field-type-taxonomy-term-reference field-label-hidden&quot;&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;/sessions/3&quot; typeof=&quot;skos:Concept&quot; property=&quot;rdfs:label skos:prefLabel&quot; datatype=&quot;&quot;&gt;Session 3&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field-name-field-room hidden&quot;&gt;&lt;div class=&quot;field-label views-label&quot;&gt;Location&lt;/div&gt;&lt;div class=&quot;field-item&quot;&gt;Stuart Hall, Room 102&lt;br/&gt;&lt;a href=&quot;https://maps.uchicago.edu/location/stuart-hall/&quot;&gt;Map it&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-body field-type-text-with-summary field-label-hidden&quot;&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot; property=&quot;content:encoded&quot;&gt;&lt;p&gt;The modern Arabic novel is said to have originated with the work of women writing at the end of the 19th and beginning of the 20th centuries. Since then, and increasingly since the middle of the last century, a diverse group of women have made significant contributions to modern Arabic literature. This presenter looks briefly at the lives and concerns of some of these writers, as well as samples passages from a few of them, in translation, for a first-hand experience of their work.&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</description>
 <pubDate>Thu, 18 Jul 2019 21:51:16 +0000</pubDate>
 <dc:creator>sspatterson</dc:creator>
 <guid isPermaLink="false">979 at https://humanitiesday2019.uchicago.edu</guid>
 <comments>https://humanitiesday2019.uchicago.edu/presentations/modern-arab-women-writers#comments</comments>
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 <title>What Good Is Public Philosophy?</title>
 <link>https://humanitiesday2019.uchicago.edu/presentations/what-good-public-philosophy</link>
 <description>&lt;div class=&quot;field field-name-field-presenter field-type-node-reference field-label-above&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Presenter:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;/bios/agnes-callard&quot;&gt;Agnes Callard&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-session field-type-taxonomy-term-reference field-label-hidden&quot;&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;/sessions/3&quot; typeof=&quot;skos:Concept&quot; property=&quot;rdfs:label skos:prefLabel&quot; datatype=&quot;&quot;&gt;Session 3&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field-name-field-room hidden&quot;&gt;&lt;div class=&quot;field-label views-label&quot;&gt;Location&lt;/div&gt;&lt;div class=&quot;field-item&quot;&gt;Harper Memorial Library, Room 130 &lt;br/&gt;&lt;a href=&quot;https://maps.uchicago.edu/location/harper-memorial-library/&quot;&gt;Map it&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-body field-type-text-with-summary field-label-hidden&quot;&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot; property=&quot;content:encoded&quot;&gt;&lt;p&gt;Wikipedia, online magazines and newspapers, social media, and the podcast have, in a short time, rapidly increased the level of intellectual engagement the public wants and expects. More than ever, those outside academia want to know what is happening in it—and, unsurprisingly, many of us on the inside are moved to cater to that desire. Is that always a good thing? What are the perils and pitfalls of being a “public intellectual”—both for the intellectual herself and for the public she serves? And what is the distinctive good that public philosophy, in particular, can achieve?&lt;/p&gt;&lt;p&gt;**This presentation is full.**&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</description>
 <pubDate>Thu, 18 Jul 2019 21:50:13 +0000</pubDate>
 <dc:creator>sspatterson</dc:creator>
 <guid isPermaLink="false">978 at https://humanitiesday2019.uchicago.edu</guid>
 <comments>https://humanitiesday2019.uchicago.edu/presentations/what-good-public-philosophy#comments</comments>
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 <title>The Fall of Communism, 30 Years On</title>
 <link>https://humanitiesday2019.uchicago.edu/presentations/fall-communism-30-years</link>
 <description>&lt;div class=&quot;field field-name-field-presenter field-type-node-reference field-label-above&quot;&gt;&lt;div class=&quot;field-label&quot;&gt;Presenter:&amp;nbsp;&lt;/div&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;/bios/william-nickell&quot;&gt;William Nickell&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-field-session field-type-taxonomy-term-reference field-label-hidden&quot;&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot;&gt;&lt;a href=&quot;/sessions/3&quot; typeof=&quot;skos:Concept&quot; property=&quot;rdfs:label skos:prefLabel&quot; datatype=&quot;&quot;&gt;Session 3&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field-name-field-room hidden&quot;&gt;&lt;div class=&quot;field-label views-label&quot;&gt;Location&lt;/div&gt;&lt;div class=&quot;field-item&quot;&gt;Goodspeed, Fulton Recital Hall&lt;br/&gt;&lt;a href=&quot;https://maps.uchicago.edu/location/goodspeed-hall/&quot;&gt;Map it&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;field field-name-body field-type-text-with-summary field-label-hidden&quot;&gt;&lt;div class=&quot;field-items&quot;&gt;&lt;div class=&quot;field-item even&quot; property=&quot;content:encoded&quot;&gt;&lt;p&gt;In 1989 the reforms initiated under Mikhail Gorbachev reached a climax as, one by one, members of the Soviet bloc broke off their former relations with the USSR. Two years later, the Soviet Union would itself crumble. This session takes a systematic look at how Russia today compares to the Soviet Union of 1989. The presenter compares measurable factors, such as income distribution, economic development, and life expectancy, alongside more complicated metrics like the environment, freedom of expression, cultural life, politics, and the building of civil society.&lt;/p&gt;&lt;p&gt;**This presentation is almost full.**&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</description>
 <pubDate>Thu, 18 Jul 2019 21:48:52 +0000</pubDate>
 <dc:creator>sspatterson</dc:creator>
 <guid isPermaLink="false">977 at https://humanitiesday2019.uchicago.edu</guid>
 <comments>https://humanitiesday2019.uchicago.edu/presentations/fall-communism-30-years#comments</comments>
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