9:30–10:30 A.M.

Critical Crafting: Women with Scissors

Stitching, piercing, cutting: from knit pussy hats to the Tiny Pricks embroidery project women’s craft has become an expression of 21st century dissent. Is this critical edge really a new aspect of craft? In this presentation, we take a look back at domestic crafts in the 19th century, with a particular eye to German creators of silhouettes and other paper cut-outs, to reconsider the history and critical potency of these so-called genteel or minor arts.

Justice for Future Generations

Understanding justice for future generations has emerged as one of the most significant challenges in ethical and political philosophy, particularly given the rapidly escalating environmental crises confronting the world. Unfortunately, many of the best-known traditional and modern accounts of justice fail badly when addressing the environment. The asymmetrical power relations between present and future generations render familiar notions of reciprocity, fairness, and reasonable agreement difficult to apply.

When China Was at the Center of the Literary World

Contemporary discussions of world literature usually start from Goethe’s proclamation—first published in 1837—that “national literature is meaningless now, and the era of world literature is at hand.” The assertion was prompted, as Goethe’s secretary Eckermann observed, by the reading of a Chinese novel. And these same contemporary discussions of world literature usually present the topic as the spread of literary models from Europe to the Americas and thence to Asia, Africa, and ever remoter points of the globe.

Social Dynamics Drive Language Evolution

Since their primordial beginnings about 200,000 years ago, human languages have always been at the mercy of the populations that speak them as their heritage vernaculars, have shifted to them, or have adopted them as their lingua francas. Using the history of English as the example, this session looks at why even the same language has not evolved uniformly over time and space.

The Divine Cube and the Theory of Everything

In the last decades of the 16th century, while directing the construction of a monastery sponsored by King Philip II of Spain, architect and humanist Juan de Herrera immersed himself in the theories of medieval Majorcan preacher and philosopher Ramon Llull. Herrera was looking for a universal epistemological construction, a figure that could serve as matrix for all existing knowledge. As a result of his research, he settled on the cube, producing a new theory of the geometrical figure that crossed historical boundaries and combined science and religion.

Ancient Greek Body Amulets

This session focuses on the mainly visual evidence—on vase paintings and votive statues—that Greek women and male children wore knotted cords and strings of amulets to protect their bodies in Athens, on Cyprus, and in West Greece, and argues that the absence of similar amulets on naked adult males points to a restriction of use to females and immature males. Since textual evidence suggests that sick adult males also used amulets, this presenter argues that the category of amulet users embraces the weakened male adults and other cultural equivalents, such as women and children.

Teaching Culture Through Language

Even though we all know that language is a part of culture, it is common practice to study a new language by learning its grammar separately from the culture of the people who speak it. This presenter shows why this approach is problematic, and why teaching the language through authentic discourse samples is, in fact, a window to culture. Additionally, it can combat cultural stereotyping and more effectively lead to interactional and intercultural competence.

Seth Brodsky

Seth Brodsky’s research encompasses 20th- and 21st-century music, modernisms, music and philosophy, critical theory, psychoanalysis, and voice. He is the author of From 1989, or European Music and the Modernist Unconscious (University of California Press, 2017), which was awarded the Lewis Lockwood Award by the American Musicological Society in 2018.

Claudia Brittenham

Claudia Brittenham’s research focuses on the art of Mesoamerica, especially Central Mexico and the Maya area, with interests in the materiality of art and the politics of style. She is the author of The Murals of Cacaxtla: The Power of Painting in Ancient Central Mexico (University of Texas Press, 2015); co-author of The Spectacle of the Late Maya Court: Reflections on the Murals of Bonampak (University of Texas Press, 2013); and co-author of Veiled Brightness: A History of Ancient Maya Color (University of Texas Press, 2009).

Richard Strier

Richard Strier is the author of The Unrepentant Renaissance from Petrarch to Shakespeare to Milton (University of Chicago Press, 2011)—winner of the Warren-Brooks Prize for Literary Criticism—as well as Resistant Structures: Particularity, Radicalism, and Renaissance Texts (University of California Press, 1997), and Love Known: Theology and Experience in George Herbert's Poetry (University of Chicago Press, 1983).

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